My new business cards arrived, pretty pleased with them although Moo cut off a bit of the side. They still look good though and are on some really nice matte stock.
Interview Questions
These are the questions I sent to 3 designers:
Name:
Date Of Birth (optional, but would be helpful to know):
Location:
Occupation:
Can you provide me with some of your professional/educational background details?Do you remember the first time you encountered grids?
Were you taught grids during your design education or were they something you sought out yourself?
How did they make you feel/what did you think of them?
There are lots of people who like/dislike grids, where do you stand now and why?
Do you think that the grid is an elitist design tool?
From a graphic design point of view do you feel that grids aid or stifle communication and why?
Do you think that those who have sought to move away from grids have produced effective design?
Do you think grid systems have changed?
Grids are said to help organize, what are your views on this?
Do you think it stems from education, experience, a need to put order on or tame the world?
How do you think grids/lines have affected the design world as a whole such as in art or architecture?
What attributes should a good layout have and why?
How do you think grids may be used in the future, what about in 10 or 50 years time?
When we look back on the history of graphic design, art, architecture etc. we as a society can see movements, shifts in styles across all disciplines. As a designer where do you see layout heading?
Do you think there are any systems that could rival the grid?
And finally, is there anything else you would like to say about grids?
Hopefully I’ll get some good answers from these.
Exhibition Design – David Dernie
Outdoor Systems, Indoor Distribution – Neue Gesellschaft fur Bildende Kunst, Berlin, 2000
Art et Publicite – Pompidou Centre, Paris, 2000
The Rise Of The Picture Press: Photographic Reportage & The Illustrated Press (1918-1939) – International Centre Of Photography, 2000
I really like the way the text has been set out here. The exhibition focused on magazine design so the grid-like visuals were really appropriate. This is something that could work well for my exhibition.
Mark Weaver
Mark Weaver is a graphic designer from Atlanta with a really inspiring portfolio of work. His professional stuff is made up of editorial imagery and pretty standard magazine design stuff. However his personal work is what I really love. He combines text and image really well and his work often features a cool colour scheme. I’m thinking of doing the headlines brief as its simple and quick to do and if I don’t get the LCC project then I’m not sure if I’m going to finish the booklet or not. This work is the kind of thing I would want to produce for a poster design.
Kern
These are the most amazing rings ever! They might even take the place of my Love/Hate Robert Indiana style rings from Urban Outfitters. They are by plastique on etsy. I’m such a type geek I might buy these. Also I have to come up with ‘an innovative piece of merchandise’ for my grid exhibition brief, acrylic jewellery could be the way to go…
More Publications
Un Deux Trois exhibition catalogue – Hofstede Design
Environments brochure – Hofstede Design
CCF annual report – Public
Museu de Ciéncies Naturals Guidelines – Alto Works
Various – Design Project
Various – The Consult
Publications
Goldsmiths’ Prospectus – Form
Media Trust leaflets – Form
Seascape book – OK-RM
Zuneta booklet – OK-RM
Barbican Art Gallery – OK-RM
Neutral typeface specimen – OK-RM
Lomo magazine – Mark Adamson
Lomo exhibition mailer – Mark Adamson
Sci-fi exhibition guide – Mark Adamson
Type Factory guide – Mark Adamson
